Monday 13 February 2017

Fifty Shades Darker

Fifty Shades Darker, Cert: 18, 118 mins. Universal.

The literary phenomenon that proved to be unbelievably lucrative, resulted in an inevitable big-screen adaptation, with 2015’s Fifty Shades Of Grey. It was wooden, lifeless and yet oddly compulsive.
 Now, comes this cynical money-maker of a sequel, with equally waxwork performances and terrible dialogue. ‘I will have dinner with you…because I’m hungry’ is about as sophisticated as it gets. What could’ve been a interesting, darkly complex character study on human desire, instead just all feels so vacuous - another missed opportunity, favouring commercialisation over nuance.
It’s about as flat as one of those flutes of champagne these shamelessly ostentatious characters are forever drinking at endless receptions. Set within a decidedly deliberate milieu of functions, parties and skyscrapers, it never actually shows anybody doing any real work; it’s a mystery how they earn all this money - all very glossy but extremely implausible.
Even those supposedly ‘infamous scenes’ once again feel awkwardly stagy and mannered, without a modicum of the steam or spark generated by others in a similarly adult canon - such as Basic Instinct or Fatal Attraction. The result, is that proceedings often feel unintentionally funny for all the wrong reasons.  What works marginally better, is the briefly explored cat-and-mouse thriller element: there’s an unstable ex, a helicopter crash, and a solid enough cameo from a spiky Kim Basinger, but all of these are rather brushed over, and could’ve been explored further.
Jamie Dornan can be a good actor (he was great in last year’s gripping World War II drama Anthropoid), but he’s utterly stilted here, totally wasted on dull material for a cardboard-cut-out, humourless character.
 Despite the odd stronger scene and a contemporary soundtrack, as with its predecessor, it’s all extremely uninvolving. So, the reason for its immense popularity, as well as the question of who exactly are the intended audience - are both conundrums which remain perplexing. I shall have to watch the third concluding chapter, if only to solve these mysteries, and understand its extraordinarily enduring appeal.

Rating: * *

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