Summer 2012
Science Fiction Comedy/Action-Adventure.
Starring: Will Smith, Tommy Lee-Jones, Josh
Brolin, Jermaine Clement, Michael Stuhlbarg, Alice Eve, Nicole Scherzinger and
Emma Thompson.
Certificate: PG.
Running Time: 106 mins. approx.
Seen At: The Heritage Centre’s Cinema,
Macclesfield.
On: Friday, 8th June, 2012.
It’s Danny
Elfman’s score that immediately grips you into Barry Sonnenfeld’s third outing
for the stylishly-shaded, sharp-suited defenders of the universe. As soon as
you hear the classically inimitable throng of four ominous notes on a violin,
followed this time by the larger-scale thud of a base drum, it’s a solid basis
for be swept along on a special-effects laden action-adventure.
In the film’s inventive opening scene, a glamorous
vixen (played by none other than The
Pussycat Dolls’s Nicole Scherzinger) delivers what appears to be a
pink-iced, wobbly, strawberry-topped cake into an intergalactic lunar prison,
for the aptly named Boris The Animal. Needless to say, looks are as deceptive
as ever, and a sequence ensues which employs one of this franchises defining
qualities: the balanced antithesis in tone, between crowd-pleasing laughs,
frequently juxstaposed with appropriately squirm-inducing (but always of the
family-friendly variety), creature-based shocks.
It’s been a
full fifteen years since the innovative 1997 original, and a decade since the
even more enjoyable sequel in 2002. Will Smith certainly doesn’t look any
older,(despite J saying to K after another mission: ‘I am getting too old for this – I can only imagine how you feel!’).
He can defiantly still deliver a plethora of quick-fire wisecracks that
characterized, and made us root for, Agent J right from the first movie.
Will Smith is
always such a charismatic, relatable presence on screen, and here brings his
trademark wit, charm and facial expressions that makes him both such a reliable
and popular Hollywood A-Lister in terms of box-office power, but much more
importantly, a supremely gifted actor across any genre, with a superb sense of
comic timing.
When we first
meet him here for instance, he puts on his trademark glasses, flashes the
memory-erasing de-nuralizer in front of an unsuspecting audience, wiping away
their recollections of a giant, lime-coloured satellite in the middle of the
street, with a warning that this was the result of signal interference from
using mobile phones on airplanes. Another example sees him in combat with a
slimy sea-creature, warning the dumbfounded onlookers about the perils of
disposing of unwanted goldfish.
Emma Thompson makes a brilliant
addition to the cast as Agent O, the head of the Men In Black division,
providing a feel of measured wisdom. The infamous giant screens in the
headquarters, which monitor aliens disguised as humans, now feature Lady Gaga among
them if you look closely!
The
predominant plot device involves Tommy Lee-Jones’s Agent K being killed in the
present day. So it’s up to J, to literally ‘jump’ back in time to 1969 in order
to stop the event from ever occurring. As such, the fact that the wonderful
Lee-Jones is only on-screen for the first fifteen minutes, consequently means
that the connection between the two leads with which the series has now become synonymous
- is lost. The screenplay simply isn’t as funny as the other two films, mainly
because there are very few scenes with the two of them.
Once back in
the sixties, the production design is suitably indulged in lots of retro
touches.
Josh Brolin, as the younger version of
Lee-Jones, gives the best performance in the movie, capturing the
Southern-American drawl, look and mannerisms of him to an absolute tee.
It’s once they run into psychic Griffin that the film feels rather flat.
Griffin is quite an inconsequential character, it would have been better if the
script had generated some funnier dialogue instead, as opposed to creating a
flimsy supporting character.
Also, the villain this time round (Jermaine Clement’s
Boris The Animal) wears goggles throughout which detracts him from having any
expression, which means he’s never as effective as the previous adversaries,
lacking the downright nastiness of the original’s Edgar the cockroach, or the
fun of Lara Flynn-Boyle’s Serleena from the second film.
Stylistically, the nightscapes are impressive, particularly when
utilizing the clever editing technique of speed-ramping (that is, rapidly
zooming in on a shot of J, before slowing it down).
The score is full of the tiniest, clever little musical
cues, such as when J is chasing one nemesis through a fairground, pointing his
gun left and right, accompanied by the impact of a high-pitched flute at the
same time.
The vehicle
designs are especially extravagant, my favourite being the ironically
futuristic, loop-the-loop cycles – used during a fast-paced chase.
Unfortunately, I didn’t see this film in 3D – (I would always choose to, it’s a brilliant tool
that can only ever add to the cinematic experience in my opinion), but I was
able to estimate where the 3D flourishes would have been punctuated from
(namely that very chase, or the moment when the older K zaps an alien with his
blue-beamed laser gun).
The most
disappointing element though, is that there’s no Frank the pug dog – (apart
from his face appearing on a billboard very briefly). He had such a prominent
role in the previous one, a big reason why Men
In Black II appealed to me, and is my favourite of the three).
Also, towards the end, this film makes the slight
mistake of choosing emotion over comedy, a bold choice, but something a family-targeted
fantasy adventure shouldn’t do.
However, it’s
always great to have the Men in Black back. It’s fun, Smith, Lee-Jones, Brolin
and Thompson are all on top comic form, and it’s a summer blockbuster that’s
not only a real hit at the box-office, but also fizzing to the top with visual
innovation.
Rating: * * *
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